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Jan 26
2009
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LAVATORY - LOVESTORY
Konstantin Bronzit
ACADEMY AWARDS HISTORY
This is the first Academy Award nomination for Konstantin Bronzit.
OBRA Artist Blogs
Blogs that celebrates all that is great and unique about a Pinoy Artist. About the good and the not so good of living the life of an art enthusiast.
Category >> Film and Theater
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Jan 26
2009
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BE PART OF ELLEN GENERESES SHOWPosted by: Nash Anggahan in Film and Theater |
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Be a Part of the Show
Talented Kids
We're looking for young musicians, inventors, gardeners or children with
unique talents of any kind! If your child is 11 or under and has a special
ability we want to see it.
Please make a short tape of your child's talent and send it to us!
Remember when shooting to allow for an extra ten seconds at the beginning
and end of your clip. If you are cut off on either end, we may not be able
to use you in the show.
Send your tapes to:
The Ellen DeGeneres Show
PO BOX 7788
Burbank, CA 91523
Attn: Talented Kids Please label the tape with your: name, phone number, and
address.
Please note: Tapes will NOT be returned!
Please download and complete this form
http://ellen. warnerbros. com/show/ ellenvideo. pdf and include with your tape.
Remember, by sending in your tape, you are giving us permission to use your
image on the air, but it is not a guarantee that your tape will be used.
MORE INFO
http://ellen. warnerbros. com/show/ respond/? PlugID=12
THIS LINK WAS RESPONSIBLE TO START OFF CHARICE WONDERFUL JOURNEY INTO
STARDOM..... so do not take it lightly..... ..
CHARICE PEMPENGCO
www.myfameandfortun e.com/models/ video.php? video_id= 3387&mode= video&page= 57
ELLEN DEGENERES'S SHOUTOUT TO RIN ON THE ROX!
http://www.myfamean dfortune. com/models/ video.php? video_id= 4742&mode= video&page=268
Talented Kids
We're looking for young musicians, inventors, gardeners or children with
unique talents of any kind! If your child is 11 or under and has a special
ability we want to see it.
Please make a short tape of your child's talent and send it to us!
Remember when shooting to allow for an extra ten seconds at the beginning
and end of your clip. If you are cut off on either end, we may not be able
to use you in the show.
Send your tapes to:
The Ellen DeGeneres Show
PO BOX 7788
Burbank, CA 91523
Attn: Talented Kids Please label the tape with your: name, phone number, and
address.
Please note: Tapes will NOT be returned!
Please download and complete this form
http://ellen. warnerbros. com/show/ ellenvideo. pdf and include with your tape.
Remember, by sending in your tape, you are giving us permission to use your
image on the air, but it is not a guarantee that your tape will be used.
MORE INFO
http://ellen. warnerbros. com/show/ respond/? PlugID=12
THIS LINK WAS RESPONSIBLE TO START OFF CHARICE WONDERFUL JOURNEY INTO
STARDOM..... so do not take it lightly..... ..
CHARICE PEMPENGCO
www.myfameandfortun e.com/models/ video.php? video_id= 3387&mode= video&page= 57
ELLEN DEGENERES'S SHOUTOUT TO RIN ON THE ROX!
http://www.myfamean dfortune. com/models/ video.php? video_id= 4742&mode= video&page=268
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Jan 24
2009
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Do we need to learn 2d Animation in order to be proficient in 3d computer animation? The answer is no. A student who aspire to be a 3d computer animation professional does not need to learn the 2d animation discipline. What is needed is for him to understand the discipline behind 3d animation.
Animation has its general principles that are both true for 2d and 3d animation. But the said disciplines differ on how they appreciate the form and the function of the animation medium. Thus, one must be careful in using terms. Meaning, 2d and 3d are the general or broad animation classification in terms of medium. For example, 2d animation may refer to glass painting animation, sand animation, paper cut out animation and cel animation. While 3d animation may refer to clay animation, "stop-motion_ animation " and "puppetry".
The application of technology does not change the over-all medium, rather, it provides an alternative technological production in terms of the animation process. Thus, 2d computer animation or 3d computer animation is not a medium but technology applied. Recognition of the technology applied and the animation medium is essential in transmiting animation education to students.
If, as animation educators, we are unable to understand the fundamental differences, we might teach our students the wrong way of appreciating animation as a human experience within the parameters of science, art, business, visual documentation and medium of communication.
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Jan 24
2009
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Vandalism, for me , is dynamic and aggressive art movement, genre and approach to reality. It may refer to the movement that is often marginalized within a highly urbanized section of the mainstream public. A section that is often neglected by the mainstream. People may refer to the movement as an underground collective that uses the street as its primary window of expression.
Genre denotes the feel of the concept of vandalism. It is raw and dynamic with an edgy transformation of mainstream symbols into "in your face" and provocative metaphors that are "young-modern" in terms of sensibility.
The heaviness of the lines, the saturated colors and the unpredictable texture reveal a perspective of urgency and frustration. The need to be heard, the need to leap out from the walls and the need to shove people's minds.
Vandalism for me is a good approach to reality in the context of Philippine Animation. It might work
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Jan 24
2009
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Texture in this approach tend to be ultra-flexible. It assumes the texture of the medium it is applied on so to speak. And the mediums in this case are often diverse from wood to concrete. I feel that when translated to animation, a character may assume different types of medium surfaces. The surface may denote the 3 elements of a character including the fourth dimension that may denote to the soul of any character design.
Designing a world in this case may also be diverse. Considering that the texture of the design depends on the medium it is attached to. I see it visually interesting specially when we are using metaphors like the concrete jungle or a city of glasses. I think that there are a lot of things we can do with this young modern approach. Imagination in this case in terms of texture is vast and not limited. It may also range from organic to inorganic surfaces with 3 dimensional perspectives.
Designing a world in this case may also be diverse. Considering that the texture of the design depends on the medium it is attached to. I see it visually interesting specially when we are using metaphors like the concrete jungle or a city of glasses. I think that there are a lot of things we can do with this young modern approach. Imagination in this case in terms of texture is vast and not limited. It may also range from organic to inorganic surfaces with 3 dimensional perspectives.
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Jan 24
2009
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The Animation PushPosted by: animation paraiso in Film and Theater |
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Two animated features made it in the mainstream or perhaps the top categories of the Oscars 2009. Waltz With Bashir ( Israel) is one of the nominees for best foreign language feature category while Wall-E ( Andrew Stanton, Jim Reardon, Pete Docter) is one of the nominees for best original screenplay. What is exciting is that, Wall-E is competing with Frozen River, Happy Go Lucky, In Bruges and Milk. I hope that this will inspire us more in this forum. That animation is not just a part of motion picture, rather, it is an independent entity capable of competing with non-animated features.
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Jan 24
2009
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Animation ParaisoPosted by: animation paraiso in Film and Theater |
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Animation Paraiso is a forum dedicated to the propagation of genuine Animation Education, Industry and Market Development and Management. We encourage the growth of Independent Original Content Animation Multimedia Studios and Productions through the use of Open Sourced Animation Technology. We are supporting Original Content Pre-Production and Open Sourced Technology for Production and Post Production Execution
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Jan 24
2009
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Philippine Animation is not an industry but an idea. It is an idea that is waiting to become a concept. A concept that yearns to capture the imagination of a generation. A generation that is vibrant, fearless and bold.
These are young men and women who are valiantly creative and sincerely grounded to understand the nature, potentials and limitations of Philippine Animation. They are not afraid to uplift the stature of their craft and transform it into a dynamic, nurturing and self-sustaining model from which an industry will be born.
Philippine Animation is an idea. An idea we believe in, an idea we will fight for and an idea that we deserve. This is not a plea of reckless idealism. Rather, this is a vision of practical optimism.
True, my generation is destined not to see the eloquence that is a birth of an industry and with fondness I accept this unfortunate fate. But to those who are the vanguards of this impending future from which legends are forged. To them, this idea is a seed that hopes to grow.
For we are but caretakers of this grand vision,
A legacy that is not of words but of heartfelt actions,
This is the true Art and Science of Philippine Animation
These are young men and women who are valiantly creative and sincerely grounded to understand the nature, potentials and limitations of Philippine Animation. They are not afraid to uplift the stature of their craft and transform it into a dynamic, nurturing and self-sustaining model from which an industry will be born.
Philippine Animation is an idea. An idea we believe in, an idea we will fight for and an idea that we deserve. This is not a plea of reckless idealism. Rather, this is a vision of practical optimism.
True, my generation is destined not to see the eloquence that is a birth of an industry and with fondness I accept this unfortunate fate. But to those who are the vanguards of this impending future from which legends are forged. To them, this idea is a seed that hopes to grow.
For we are but caretakers of this grand vision,
A legacy that is not of words but of heartfelt actions,
This is the true Art and Science of Philippine Animation
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Jan 24
2009
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10th Sinelab Workshop Series Registration 2009/ Starts February/ Slots Available
Email Address and Contact Number For Registration and Inquiries sinelab_workshop@yahoo.com / mobile number 09215081060
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Jan 22
2009
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Pinoy moviesPosted by: Arthur Andana in Film and Theater |
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1.Sa tuwing may nililigawan si Vic Sotto or si Dolphy ang karibal nila sa babae ay either si Paquito Diaz or Rez Cortez
2. Binabatukan nina Vic Sotto or Dolphy ang kanilang sidekick kung bibitaw ito ng punchline. pero kung si Dolphy or Vic Sotto ang bibitaw ng punchline ang masasabi lang ng sidekick eh "ngiii"